LIN 591: SYLLABUS: Satire, Irony, and Gallows Humor; Spring, 1999:

INSTRUCTOR: Don L. F. Nilsen; Line # ?; Fridays: 11:40-2:30 PM; OFFICE: LLC 243; OFFICE HOURS: MTWTh: 8:30-9:30; F: 2:30-3:30, email:

NOTE: THIS COURSE COUNTS AS A SEMINAR FOR LINGUISTICS, TESL, RHETORIC, AND ENGLISH LITERATURE GRADUATE STUDENTS!


Required Texts

Grades

SATIRE, IRONY, AND GALLOWS HUMOR LENDING LIBRARY

Assignments


REQUIRED TEXTS:


GRADES: There are five grades in the course:


SATIRE, IRONY, AND GALLOWS HUMOR LENDING LIBRARY:


ASSIGNMENTS: NOTE THAT DATE INDICATES WHEN ASSIGNMENTS ARE DUE!

Fri, Jan 22:

Introduction, and Overview of the Course, and LIN 591 PACKET: Ironic and Satiric Archetypes and Shadow Archetypes

Fri, Jan 29

Berger 1: "Comic Techniques in Dramatic Comedies;" Berger 2: "The Braggart Captain: Miles Gloriosus;" and LIN 591 PACKET: Ninth to Fourteenth-Century Medieval Complaint, Irony and Satire

Fri, Feb 5

Berger 3: "Make What You Will of Comedy: Twelfth Night" Berger 4: "No Trusting to Appearances: The School for Scandal; and LIN 591 PACKET: Fifteenth- and Sixteenth-Century Renaissance Irony and Satire

Fri. Feb 12

Berger 5: "The Devices of Absurdity: The Bald Soprano;" Berger 6: "Beyond Devices;" and Review for Midsemester Exam

Fri, Feb 19

Midsemester Exam: Covering Berger and LIN 591 Packet, and Handouts

Fri, Feb 26

Brack 1: "Black Humor and the Mass Audience" (1-11) by Hamlin Hill; and Gallows Humor; and Brack 2: "Anything Goes: Comic Aspects in 'The Cask of Amontillado'" (13-26) by John Clendenning; LIN 591 PACKET: Seventeenth-Century Restoration Irony and Satire

Fri, March 5

Brack 3: "Melville's The Confidence-Man: The Structure of Satire (27-41) by Alexander C. Kern and "Satire: The Necessary and Sufficient Conditions" contrasted with "Gallows Humor"; and Brack 4: "John Wilford Overall's Southern Punch: Humor in the Rebel Capital" (41-58) LIN 591 PACKET: Eighteenth-Century and Enlightenment Irony and Satire

Fri, March 12

RESEARCH PAPERS ARE DUE ON FRIDAY, MARCH, 26; Brack 5: "Huck Finn after Huck Finn" (59-72) by Claude M. Simpson Jr., and "Mark Twain's 'Carnival of Crime'" (73-78) by William M.Gibson; and Brack 6: "The Showman as Hero in Mark Twain's Fiction" (79-98) by Sargent Bush, Jr." Nineteenth-Century and Bi-Polar Victorian Irony and Satire

Fri, Mar 19

SPRING RECESS: CLASSES EXCUSED

Fri, Mar 26

RESEARCH PAPERS ARE DUE TODAY; Brack 7: "Soldier's Pay and the Growth of Faulkner's Comedy" (99-118) by James M. Mellard, and Brack 8: "The Comic Element in Iowa Literature" (119-137) by Clarence A. Andrews, and Twentieth-Century Theatre of the Absurd, and Gallows Humor
ORAL PRESENTATION:
ORAL PRESENTATION:
ORAL PRESENTATION:

Fri, April 2

Brack 9: "Katherine Anne Porter: The Low Comedy of Sex" (139- 152) by Michael Gessel, and Brack 10: "Russell Wayne Baker" (153-170) by Woodford A. Heflin, and Gender Issues in Irony, Satire, and Gallows Humor
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ORAL PRESENTATION:
ORAL PRESENTATION:

Fri, April 9

Brack 11: "The Sanity of Mad" (171-188) by John G. Cawelti and Irony, Satire, and Gallows Humor in Movies, Sit-Corns, and other Popular Entertainment
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ORAL PRESENTATION:
ORAL PRESENTATION:

Fri, April 16

Parody
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ORAL PRESENTATION:

Fri, April 23

Paradox
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ORAL PRESENTATION:

Fri, April 30

Farce
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ORAL PRESENTATION:

Wed, May 5

READING DAY

Fri, May 7

FINAL EXAMINATION


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